![]() ![]() RELATED: Full List Of Cannes Palme d’Or Winners Through The Years: Photo Gallery “It will be easier if I move in,” he says, as those friends run amok in Jocelyn’s house, one of those anodyne old-timer Bel-Air mansions that young stars so often occupy but never really live in. Tedros hasn’t had much screentime until now, but in the second episode shown, he suddenly becomes a lot more assertive, bringing a bunch of his friends to Jocelyn’s house and talking about collaborating with her. Jocelyn’s comeback is getting shakier by the minute, and the sudden appearance of Tedros - a man with no past, just a shady present and a lot of debts - is of great concern to the team. “When you sing, ‘I’m a freak,’” he explains, giving Donna Summer as an example, “you’ve gotta sing it like you know how to f*ck.”īy the second episode, Jocelyn has been giving this a lot of thought, to the horror of Team Jocelyn, who reacts with barely concealed contempt to her defiantly uncommercial attempt to remix what Nikki angrily calls “a big-titted hit.” It doesn’t help that the video for “World Class Sinner” is not going well either Jocelyn is a neurotic wreck, struggling with the dance routine and insisting on multiple takes that leave her bloodied and exhausted. He thinks the song is OK - it’s just her delivery that’s wack. She gets the chance soon enough after meeting charismatic impresario Tedros Tedros (Abel “The Weeknd” Tesfaye), who seduces her on the dancefloor of his popular nightclub and gains her trust. Instead, she is worried that the new song is rubbish, something she feels unable to discuss with her team (“When you’re famous, people lie to you”). Jocelyn, however, is not bothered by all this rather extreme scenario, which gives rise to a brief and not wholly convincing debate about revenge porn and slut-shaming. RELATED: Cannes Film Festival 2023: All Of Deadline’s Movie Reviews (“How are 14-year-old girls going to buy tickets for this when she’s frosted like a Pop Tart?”) It’s a bad time for a visit from for Jocelyn’s rep at LiveNation ( Eli Roth), and he understandably is furious to hear that she has been branded “the human cumsock” on social media. It appears to be a selfie of Jocelyn with semen on her face, and its appearance prompts both consternation and an amusing discussion of the word “bukkake” (don’t google it, especially at work, if you don’t already know). Comparisons are made with Britney Spears, but Jocelyn is more of a rebellious Courtney Love type, and her manager, Chaim ( Hank Azaria), encourages her worst excesses, locking the shoot’s intimacy coordinator in a bathroom to annul the record company’s “nudity rider.” “Who would police those tits?” says Nikki, who gets quite a lot of zingers like this.Įven Chaim is shocked, however, when a picture appears on Twitter that sets the internet alight. To kickstart publicity, Jocelyn’s team have invited a Vanity Fair writer to come and watch the preparations, which begin with rehearsals for her new video, “World Class Sinner,” an actually pretty convincing slice of mediocre R&B. Jocelyn is planning her comeback, but ticket sales for the upcoming tour are not shifting like they used to. RELATED: ‘The Idol’ Gets Five-Minute Standing Ovation After Cannes Premiere Sam Levinson Gets Emotional In Speech ![]() “Mental illness is sexy,” says the abrasive Nikki ( Jane Adams, cast brilliantly against type). Troublingly, she still is wearing the bracelet from her recent hospitalization, but her management shrugs it off. Wearing a skimpy red kimono, Jocelyn is in a state of what Depp’s mother Vanessa Paradis might describe as déshabillé, and for the next 100 minutes or so she will never be habillé again. The opening scene is a photoshoot for the notorious Jocelyn ( Lily-Rose Depp), a famous singer recovering from a breakdown after the death of her mother. Presented without explanation or context, The Idol unspooled in two roughly 50-minute chunks, presenting a more sedate setup than its trailer suggests. ![]() ‘The Gilded Age’ Renewed For Season 3 By HBO
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